Presse – Dominique Ehrmann

The Boston Globe

Two exhibits that are perfect fit for the Cape

9 août 2017 - Article par Cate McQuaid paru en ligne et dans l'édition papier dans le cadre de l'exposition solo de Dominique Ehrmann, Once Upon a Quilt, au Highfield Halls & Garden.

Upstairs, a girl leads us into the woods toward a cozy cottage in “Come and Follow Me,” the centerpiece of “Once Upon a Quilt: 3-D Quilts by Dominique Ehrmann.” It’s an enchanting, large-scale, four-tier tableau made entirely of quilts with telescoped perspective that sucks us into its fairy-tale setting.
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The Enterprise

3-D Quilts By Canadian Artist A Must-See At Highfield

23 juin 2017 - Article par Joanne Briana-Gartner paru en ligne dans le cadre de l'exposition solo de Dominique Ehrmann, Once Upon a Quilt, au Highfield Halls & Garden.

Canadian artist Dominique Ehrmann’s amazing fabric art is on view upstairs in Highfield’s Beebe Room. Visitors to Sunday’s open house, June 25, should be sure not to miss it. “She really likes to figure things out,” said Annie Dean, Highfield’s director of programs and exhibitions, of Ms. Ehrmann, whose quilted projects include kinetic pieces such as oversized fabric pinwheels, hand-cranked pieces, multi-layered works, and quilts that are lit from behind.
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HandEye

Magical Quilts

13 juillet 2016 - Article par Alice Dana Spencer paru en ligne dans le cadre de l'exposition Once Upon a Quilt au musée Shelburne.

Internationally renowned fiber artist Dominique Ehrmann, a native of Quebec, Canada, is known for her imaginative and whimsical quilts. Although she uses traditional techniques and fabrics, she has explored the boundaries of contemporary fiber arts, with novel manufacturing structures, multi-dimensional layers, and kinetic elements.
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The New York Times

Quilts: From Classic to Crazy and Beyond

15 mars 2013 - Article par Susan Hodara paru dans le cadre de l'exposition Beyond the Bed: The American Quilt Evolution au Katonah Museum of Art dans laquelle l'installation Venez, entrez avec moi clôt le propos de la commissaire et représente l'avant-garde de la courtepointe.

An intriguing question threads its way through the innumerable stitches that bind the countless scraps of fabric that make up the quilts in “Beyond the Bed: The American Quilt Evolution,” in the Beitzel and Righter Galleries at the Katonah Museum of Art. Guest curated by Jean M. Burks of the Shelburne Museum in Vermont, the exhibition traces developments in the art of quiltmaking from 1800 to the present. Ms. Burks said that she wanted “to get people asking, ‘Just what is a quilt?’ ”
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